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In film criticism, the 1950s-era auteur theory holds that a director's films reflect that director's personal creative vision, as if he were the primary auteur (the French word for author). In spite of and sometimes even because of the films in question being made as part of an industrial process, the author's creative voice is distinctive enough to shine through all kinds of studio interference. In some cases, film producers are considered to have a similar auteur role for films that they have produced.

by Nmicky



17-Jun-10, 11:42 pm

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